While it may work for other types of HDR footage/profiles, it works the best/easiest with the HLG2 profile when using the settings I provide. * These LUTs were made for Sony’s HLG2 Picture Profile. I created these to be a great starting point for my edits, so that after applying the LUT, I could simply adjust the temperature of the clips to create consistent and polished films. I can't tell the difference between rules and preferences in color grading, yet.This is a collection of 2 custom LUTs I created to help quickly achieve usable footage with your HLG2 clips! Each LUT can be dropped straight onto your footage or adjusted to get the look just right!Īfter applying the LUT you can adjust the temperature, highlights, shadows, contrast and saturation to get the best results out of your footage/scene. but aren't you supposed to make basic corrections BEFORE Rec.709 conversion?". I'm new to all of this and I just see things like camera LUT's in FCPX for SLog2 and I ask myself many questions like "why aren't there any LUTs for HLG?" and "camera LUTs are applied on media level before effects. I would be thankful for every answer that can provide any clarity, whatsoever! Even if it's something like "HLG isn't fully supported yet and you have to find a workaround" or something. Can I do the same with Rec.709 as color mode or are the HDR-Tools only designed to work with BT.2020 color space as input?Īnd what also confuses me: Why is the footage blown out when I import it, but not in Davinci Resolve? If FCPX shows me the raw HDR data and thats why it's blown out, then why isn't it blown it in Resolve when I didn't apply any CST or LUT to it, yet?ĭo I even NEED to convert the gamma or can I just bring down the exposure? Is this, or something else, an option that I have? With BT.2020, I would import it and then use HDR-Tools to convert it to Rec.709 SDR. With Rec.709 FCPX can't even read the metadata correctly (with BT.2020 selected it shows me that it's "Rec.2020 HLG" footage). When I import my HLG2/rec.709 footage (in a Rec.709 Project), it looks completely blown out. Now, I would like to do my editing in Final Cut Pro, and it would be great if I could also do my colors in there, but FCPX is way more confusing. But what do I select as input gamma to transform to Rec.709? I've read that I should select Rec.2100 HLG, and somewhere else a dude said that that would be wrong and I should select Rec.2100 (Scene). For color space, I guess I would select Rec.709 as input for Rec.709 color mode, and Rec.2020 for BT.2020 color mode. But I haven't found obvious solutions for HLG2 gamma. This would seem very easy for something like SLog2 gamma with S-Gamut color, as you can simply select the options as input. Select input color space and gamma and the same for output, and you're done. In Davinci Resolve, people say to pick the Color Space Transform tool. I saw a dude on YouTube (Jason Vong) sharing these settings, and some of his footage looks really nice, so I decided to go with it.Īfter watching a couple videos, I think this is what the workflow usually looks like:ġ) Color and Gamma Transform or Conversion LUT to Rec.709 and Gamma 2.4Ģ) Basic exposure corrections BEFORE the Transform or LUT from 1)ģ) Creative Grading after Transform or LUT from 1) After very superficial research, I decided to go with a picture profile with HLG2 gamma and the color mode Rec.709 (NOT BT.2020) for video recording. So, I have a Sony A7C and I make guitar cover videos on YouTube. I can't find a definitive answer on the internet to the questions I'm about to ask. I'm a noob when it comes to color grading.
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